Posts tagged Gabourey Sidibe
Gabourey Sidibe on Jimmy Fallon
Jan 7th
Gabourey “Gabby” Sibide made an appearance on Late Night with Jimmy Fallon to chat about a bunch of things and of course about her breakthrough performance in the movie Precious. I was glad that finally along with talking about the big names in the movie like Mariah Carey, Paula Patton and Mo’Nique Jimmy Fallon mentions “the other girl–Joanne.”
“The girl who I said I don’t know her name…[Xosha Roqumore] she plays the one girl in class and they ask her name and she goes ‘Heeeyyyyy!’ That really made me laugh. The movie has high points and low points that was such a comic relief I loved it!”
If you haven’t seen Precious yet go check it out!
Sphere: Related ContentNYTimes Magazine Spotlight on the movie “Precious”
Oct 25th
“Precious,” is coming to theaters Nov. 6, the movie is said to be a vivid and dynamic depiction of the novel PUSH by Sapphire. The film was featured in an NYTimes Magazine, here are some highlights:
“Precious,” the harrowing story of a 350-pound illiterate teenage girl who is pregnant for the second time by her father and horribly abused by her mother, is shot in an almost-documentary style interspersed with fantasy sequences. Like most independent films, it is character-driven, and at its heart is a spirit of understanding. When Precious’s plight lands her in a special school, she blossoms: the audience’s initial rejection of Precious, even repulsion at the sight of her, slowly gives way to a kind of identification.
The Story vs. The Movie:Just a few months before its premiere at Cannes, “Precious” won three awards at the Sundance Film Festival, including a special jury prize for Mo’Nique, who plays Precious’s monstrous mother. Graphic as the film is, it is less so than “Push,” the 1996 novel on which it is based. Written by an African-American poet and writer known as Sapphire, “Push” relied on intentionally misspelled, broken and slangy English to convey Precious’s sense of despair and rage. The novel mixes poems by Precious with sexually extreme scenes, like those in which she is forced to perform oral sex on her mother. It is almost relentlessly bleak: when Precious discovers she is H.I.V.-positive, she is certain of her imminent death. Daniels’s movie, by contrast, offers a greater sense of possibility. He doesn’t ignore her disease, hardships or struggles, but he also liberates her from them. Precious is a stand-in for anyone — black, white, male, female — who has ever been devalued or underestimated.
The Trailer:
**Shout out to Ms. Fluorescent Beige, Rockstar Xosha**


